Monday, May 15, 2017

Music In Sag Harbor

One of the most memorable passages in all of Sag Harbor for me was when present-narrator Ben explaining bit of own musical “coming of age” becoming aware of past Benji’s reception of when he calls out Afrika Bambaataa’s sampling of Kraftwerk’s Trans-Europe Express.

I didn’t understand back then why Marcus was hassling me, but I get it now.  A couple of years later, if someone said “I stole that off an old Lou Donadon record,” and the sample kicked it, you got respect for your expertise and keen ear.  Funk, free jazz, disco, cartoons, German synthesizer music—it didn’t matter where it came from, the art was in converting it to new use.  Manipulating what you had at your disposal for your own purposes, jerry-rigging your new creation.  But before sampling became an art form with a philosophy, biting off somebody was a major crime, thuggery on an atrocious scale.  Your style, your vibe, was all you had.  It was toiled on, worried over, your latest tweak presented to the world each day for approval.  Pull your pockets out so that they hung out of your pants in a classic broke-ass pose, and you still had your style.  If someone was stealing your stlye, they were stealing your soul. (61 [hard back])

Here Whitehead takes us not just through a brief history of sampling but of the philosophy behind the argument for and against “stealing” other people’s work/music.   I used to very much hold onto the idea that music should be original in its entirety in “pure” form.  As I have grown older I have realized that everything is a ripoff of everything else.  Sampling as a philosophy is not a “modern” invention.  Every piece of music is just imitating previous pieces of music.  What is so important that Benji already is onto (that Marcus is against) is that this isn’t a bad thing!  With modern technology sampling has taken on different meanings, but the concept is the same.  Think of how a composer takes a bass line from another person, tweaks it a bit, and then incorporates it into their own work.   This is exactly the same with modern sampling – just it is maybe even more obvious because you can search specific audio files instead of just comparing harmonies.